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When we last visited EDIUS (v7, December 2013) we were incredibly impressed with its processing speed and the vast variety of codecs it supported. We wish to warn you that since Edius pro files are downloaded from an external source, FDM Lib bears no responsibility. To download the product you want for free, you should use the link provided below and proceed to the developer's website, as this is the only legal source to get Edius pro. Thank you for using our software library.
Workgroup, available for $1000, is designed for multiple-seat, overlapping environments with added support watch folders, advanced import/export/media management features, loudness meters and captioning. EDIUS Pro and Workgroup are the only options. Gone are 7’s Neo and Elite editions. OverviewGrass Valley EDIUS Pro 9 nonlinear editor provides native support for virtually all commonly used file formats, such as XAVC/XAVC S and AVC-Ultra/Intra.By submitting this form, I consent to Grass Valleys use of the information provided and any information provided in this portal to facilitate my on-going relationship with Grass Valley I understand I may withdraw my consent at any time, though Grass Valley may still continue to process such data if it has a legal basis for doing so.The first item of note is the reduced tier system, a move that’s always welcome. The new version 8 release is snappy, stable and simply put, just plain enjoyable to use.
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New users are required to create an EDIUS account and then associate their registration key with it. In der PDF sind all.Installation was relatively painless. Zudem k&246 nnt Ihr hier die dazugeh&246 rige PDF und das Bildmaterial downloaden. In diesem Video erkl&228 re ich euch die 6 g&228 ngisten Mischeffekte. EDIUS does not limit creativity and productivity, as EDIUS allows for intuitive, fast work rather than. Its users include filmmakers, video journalists, YouTubers, universities, broadcasters, film studios, production companies and government agencies.
That said, we soon felt the urge to scale back and remove some of the bits we don’t use very often and make our own slightly cleaner layout, a process we could easily accomplish.We love the idea of switching between single and dual monitor edit layouts, and could identify virtually every icon’s function on first sight.What might be unfamiliar to newcomers is the timeline, which while not new to EDIUS itself is slightly different from the most popular edit systems. Buttons are placed logically and conveniently. We love the idea of switching between single and dual monitor edit layouts, and could identify virtually every icon’s function on first sight. Those familiar with Adobe’s Creative cloud will be more than familiar with all of this and indeed may even find the Grass Valley implementation a little less intrusive.Editors new to EDIUS 8 will find themselves comfortable with its newly-refreshed interface from the moment they enter it, even though it can be customized through the roof.
This could become a headache if you are moving quickly and don’t immediately notice your mistake. Likewise if you drag the video to a V-only track, the audio will disappear off the timeline, and dragging back to the combo track will not make it reappear. You can always move the sound track into the dedicated audio section later, but it requires un-linking from the video track first, a step we wish weren’t necessary. Users can opt not to use the combined tracks, but we often found it quite a pleasant option for holding our base footage — an interview for example, where you never want to have the audio go out of sync — leaving the lower audio for music and sound effects. This may sound a little non-intuitive at first but becomes second nature rather fast and in a way makes sense from a philosophical standpoint.
Import speed is blazingly fast and we were immediately able to throw clips of all kinds into the same timeline and make them play together happily. 3-way color corrector for color adjustments within EDIUSEDIUS prides itself on its fast file importing, ability to handle an excessive amount of file formats natively and universal-format timeline. Ultimately it’s the same thing, but it just feels right in EDIUS where it comes off almost like its own separate sub-program rather than just an additional window. Think of it as the standard effects tab in Premiere or Final Cut, but with more of an After Effects timeline feel.
For standard camera footage though, EDIUS more than has you covered and easily recognized footage that we could not import into other mainstream edit programs without third party support or pre-transcoding. None of these will probably be relevant for productions, but might be useful in the corporate world. We admit it will be rare — though not inconceivable — that anyone is going to want to directly edit from WebM source footage, however we would hope that HEVC/x.265 support is on the horizon (we know it’s a little early) and MKV would be a nice bonus. DNxHD support is available with an optional plugin on Pro (which we did not test) and comes standard on the Workgroup version. Each of these gave an error message upon import. Employing Sorenson Squeeze, we created a test clip in Webm (vp9), MKV (vp9), and HEVC 1800kbps, and DNxHD.
We could also hope to see even basic caption support come to the pro version in the future. There was a search function for media for example, yet none for quickly finding something specific in the effects palette. Looking aheadWith EDIUS 8, Grass Valley has stated they will be committing to “…continuous improvements, all provided at no extra cost to users.” We would love to see this include tweaks for convenience and edit speed.
The EDIUS software is available as a complete software purchase. Returning users will find plenty of performance and interface tweaks to justify an upgrade even if they have no need for extended format support. Clearly the future of 8 looks bright.Overall EDIUS 8.1 seems incredibly stable and within our limited testing time, never once hiccupped in the slightest.
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